Documentary filmmaker Paul Krewer follows his friend Thomas Ritter in the Peace Race, aiming to capture a winner’s story. When Ritter crashes and falls back, Krewer shifts focus to underdog Steve Baxter’s grit and teammate Falck’s unexpected lead. In a dramatic final stage, Ritter stages a comeback to win overall—and vows to uncover whether Falck’s last-minute mechanical failure was chance or conspiracy.

Angad had no idea what his mother and his mama were planning. It was his 13th birthday, but the day had been quiet-too quiet. Little did he know, a big surprise awaited him. That evening, his mother casually suggested they go out for dinner. Angad, unaware, agreed. When they arrived at the restaurant, he was stunned to see his friends, relatives, and cousins gathered, cheering, "Happy Birthday, Angad!" The room was decorated with balloons, a banner reading I Am 13, and a table piled high with gifts. Angad's mother walked up to him with a big smile and a beautiful cake lit with 13 candles. As everyone sang, Angad felt a wave of joy and gratitude. They spent the evening laughing, playing games, and sharing stories. For Angad, turning 13 wasn't just about becoming a teenager-it was about realizing how loved he truly was.

16 year old Iris finds out in 4 days she has a 60% chance of dying. She's gotta live it up.

The long-awaited second feature film by Billy Woodberry recovers the legend, legacy and ultimately tragic life of Beat-poet Bob Kaufman (1925-1986), skillfully melding recitations of his verse together with rare archival photographs and interviews to offer a moving homage to the artist often called the “American Rimbaud.” Like Bless Their Little Hearts (1984), Woodberry’s celebrated neo-realist debut film, And When I Die, I Won’t Stay Dead chronicles with great sensitivity an unwritten chapter in the history of marginalized America, shedding new light on Kaufman’s still underappreciated poetry and the difficult struggles of the half-black, half-Jewish and fervently left-wing poet. A poet of the oral tradition, Kaufman’s verse was neither written nor recorded and threatened to disappear entirely if not for the valiant efforts of his second wife to publish her husband’s work. Equally fleeting was the figure of Kaufman himself, who once declared that his “ambition is to be completely forgotten” and who, at the height of his creative powers, took a self-imposed and apparently unbroken ten-year vow of silence in haunting lament for the assassinated John F. Kennedy. Woodberry, whose own thirty-one-year break from filmmaking is subtly acknowledged by his film, reasserts Kaufman’s fleeting yet vivid figure into the art and poetry scenes transforming Greenwich Village and San Francisco’s North Beach, offering first-hand accounts of Kaufman by fellow poets such as Jack Hirschman, as well as extraordinary photographs of the Happenings and haunts animated by Kaufman’s indelible presence. Especially resonant is Woodberry’s careful use of Kaufman’s own words, released like birds throughout the film, together with the understated fragments of the jazz and conga drums that so inspired the unique cadence and visionary language of Kaufman’s extraordinary poems. – Haden Guest

When a teenage daughter realizes her traditional Romani parents have arranged a marriage for her, she must fight for her independence — and her life.

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It's the holidays and a German freighter captain takes his whole family - his wife, ten-year-old Klaus and five-year-old Andrea - on a cruise to Czechoslovakia. The children have secretly smuggled Jackie the Fox Terrier aboard...

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HeliCops – Einsatz über Berlin is a German television series.